New York: Aperture, 1986. First Edition. Oblong quarto. With a crushing essay by the photographer which explains the deep pathos of this book. One of the most influential monographs of the last 30 years; the antecedent to various attempts at confessionalism permeating contemporary photography. (Parr / Badger, v2, 39; Roth 252–253). Light shelfwear, else near fine in a near fine first issue jacket.