Tokyo: Paroru-sha, 1980. First Edition. Stapled quarto. The third of four volumes of Kitajima's Photo Mail from Okinawa, published to coincide with his shows at the Camp Gallery, founded by Daido Moriyama after the dissolution of Workshop, and predating Kitajima's work in book form. This gritty magazine, published in black and white on glossy paper, shows the evolution of Japanese photography out of the Provoke era. While Kitajima retains some of Provoke's hallmarks, his emphasis is more on people and less on abstraction. Kitajima's images of a seedy Okinawa evoke a Punk or even Hip Hop sensibility, and form the genesis of the New York work for which he is best known. Near fine in stapled photo-illustrated wrappers.